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The DZOFILM Arles Zoom is a full-frame cine zoom built for 8K capture, with a constant T2.6 aperture and a 43.5mm image circle. It comes in two overlapping ranges, 25-75mm and 65-180mm, both parfocal and color-matched to the Arles prime line. Its low-saturation warm color science and compact, uniform bodies suit owner-operators and small crews who want prime-like sharpness without swapping lenses. Against cine zooms from Angenieux and Fujinon, it trades some brand pedigree and top-end mechanics for a much lighter kit and consistent color across the set.
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The Arles Zoom 25-75/65-180mm FF is a set of two full-frame cine zoom lenses. One covers 25-75mm (wide to standard) and the other covers 65-180mm (mid-telephoto). Both have a constant T2.6 aperture and a 43.5mm image circle. The overlapping focal range covers most shooting scenarios.
Each lens uses a four-group linkage optical system and ED and HRI optical elements. The lenses are fully parfocal across the zoom range, so focus does not shift when zooming. Low-saturation blue coatings reduce flare and ghosting, and an ultra-matte internal texture reduces stray light. The color science is tuned for natural skin tones and matches other DZOFILM lenses.
The lenses are dust-proof and splash-resistant, with a protective coating on the front. The set weighs under 1.8kg, and its body length matches DZOFILM series lenses, which suits gimbal rigs. EF mount is supported through official adaptation tools. E, RF, L, Z and DX mounts are supported through Octopus adapters.
